Chicano Art Inside/Outside the Master’s HouseIn the early 1990s, a major exhibition Chicano Art: Resistance and Affirmation, 1965 1985 toured major museums around the United States. As a first attempt to define and represent Chicano a art for a national audience, the exhibit attracted both praise and controversy, while raising fundamental questions about the nature of multiculturalism in the U. S. This book presents the first interdisciplinary cultural study of the CARA exhibit. Alicia Gaspar de