Veiled Desires: Intimate Portrayals of Nuns in Postwar Anglo-American FilmIngrid Bergman's engaging screen performance as Sister Mary Benedict in The Bells of St. Mary's made the film nun a star and her character a shining standard of comparison. She represented the religious life as the happy and rewarding choice of a modern woman who had a "complete understanding" of both erotic and spiritual desire. How did this vibrant and mature nun figure come to be viewed as girlish and nave? Why have she and her cinematic sisters in
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Veiled Desires: Intimate Portrayals of Nuns in Postwar Anglo-American Film