Shakespeare's StationersRecent studies in early modern cultural bibliography have put forth a radically new Shakespearea man of keen literary ambition who wrote for page as well as stage. His work thus comes to be viewed as textual property and a material object not only seen theatrically but also bought, read, collected, annotated, copied, and otherwise passed through human hands. This Shakespeare was invented in large part by the stationerspublishers, printers, and